Matrica bkg na primere kompanii nestle center. Sam Nassor Visual Development Artist The process of creating complex artwork has been made much easier with the help of Clip Studio Paint's fantastic capabilities. I like how customizable the software is, all shortcuts and modifier keys can be set to different functions easily. And when I'm painting, I like the way colors blend together by using the Mix function in the brush customization menu.

I also love using the inking brushes for my line work. They have a very natural feel and a high response to pressure sensitivity; going from thick to thin lines in one smooth stroke is quite easy, especially when using the Stabilization slider that allows you to slow down the brush stroke for more precision. I often keep the color wheel palette on top of the canvas so I can quickly choose the right colors. I also use other advanced color palettes like the approximate color and intermediate color palette. Both really help choosing colors in different lighting situations. Juaco Garin Director & Producer Our animation studio has the mindset of combining the artistic and expressive values of traditional techniques with the efficiency and speed of digital tools. When comparing animation software, the characteristics that influence us the most are its ability to use timelines, symbols, automatic interpolation or composition.

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However, when doing traditional animation, the most important thing we look for is what we will be doing the longest: drawing. That's why Clip Studio Paint EX is so attractive to us, since its drawing tools feel very real and the animation interface is strongly based on the procedures of traditional animation.

My name is Nancy and I am a horror movieholic. I glory in this. I had, in my mind, the advantage of growing up in a 200 year old haunted house, originally built by John Dickinson of the Declaration of Independence fame. I never saw a physical manifestation but many times heard the heavy, measured sounds of footsteps in the attic in an otherwise empty house, save for me. That creepiness was not enough for me: I delved into the world of vampires, ghosts, mummies and monsters courtesy of Universal Pictures and the family television. One Christmas, my parents bought me a huge poster of Bela Lugosi posing in his famous role as Dracula.

I bought every issue of the FAMOUS MONSTERS magazine. I was doing all the fangirl things.

At that time, vampire films were my movies of choice. SALEM’S LOT rocked my world, first as a novel then the miniseries. I was in high school when Stephen King’s second novel, “Salem’s Lot” was published in October, 1975. I was mesmerized. A haunted house? And a vampire?!

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How could I NOT like it? King was riding the wave of new success with his first published novel, “Carrie” a paperback best seller. It was already being made into a major motion picture.

“Salem’s Lot” became a blockbuster best seller, a novel inspired by King’s time as a high school teacher, teaching “Dracula” to his science fiction fantasy class. King wondered what would happen if Dracula came to the 20th century and landed in New York City. He toyed with that for a while until his wife, Tabitha, opined the setting should be a small town.